造物的奇蹟封面

造物的奇蹟

1925 其它 HD中字
導演:HannsWalterKornblum
描述:  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human
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造物的奇蹟封面

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殺人蜂
邁克爾·凱恩,凱瑟琳·羅斯,奧利維婭·德哈維蘭,理查德·威德馬克,亨利·方達
寂靜的朋友
梁朝偉,盧娜·韋德勒,恩佐·布魯姆,蕾雅·賽杜,西爾維斯特·格羅特,黃雲,盧卡·瓦倫蒂尼,菲利克斯·布羅斯,賴納·博克,瑪萊內·布羅,厄文·吉瑟,約翰內斯·赫格曼,斯凱·霍夫曼,約翰內斯·沙伊德魏勒,馬丁·烏特克
星河入夢
王鶴棣,宋茜,祖峯,羅海瓊,汪鐸,謝楠,龐博
提示詞
拉娜·巴倫,莉莉·貝爾,傑克斯·科迪,裏比·希利斯,傑西卡·莫里斯,埃利奧特·伍茲,Felix Merback
朝花夕拾
夏文汐,方中信,喬宏,張瑪莉
崛起
Caroline,McQuade,Kenneth,Trujillo,Wassim,Hawat,Buffy,Anne,Littaua,Nicole,Sharrock,Melissa,Brattoni,Anthony,Moisset,Marcus,Johnson,傑克·坎貝爾,Melissa,Davidson,Natalie,Rose,Alex,Gallant,Lily,Brown,Griffiths,Olga,Olshansky,Mansoor,Noor
神秘博士:雪人
馬特·史密斯,珍娜·科爾曼
復仇者聯盟
小勞勃·道尼,克里斯·埃文斯,史嘉蕾喬韓森,克里斯·海姆斯沃斯,傑瑞米·雷納,馬克·魯弗洛,塞繆爾·傑克遜,湯姆·希德勒斯頓,斯特蘭·斯卡斯加德,寇碧·史莫德斯,克拉克·格雷格,保羅·貝坦尼,格溫妮斯·帕特洛
幽冥
克萊恩·克勞福德,艾米莉·莫迪默,詹姆斯·戴爾,馬克斯·馬蒂尼
挽救計劃(中文版)
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奧爾蒂斯,萊昂內爾·博伊斯,梁振邦,米拉娜·薇恩翠,普里亞·坎薩,利茲·金斯曼,馬拉基·卡比,梅麗爾·斯特里普,尤妮斯·胡特哈特,雷·波特,達米安·德·弗羅貝維爾,米婭·索特里烏,亞倫·尼爾,奧賴恩·李,邁克爾·阿金綏爾,安妮勒·奧拉萊,瑪雅·伊娃·侯賽因,巴斯蒂安·安東尼奧·富恩特斯,愛麗絲·布里塔因,特拉維斯·傑,傑弗裏·蘭布,保羅·蘭伯特,米歇爾·格里尼奇,伯恩哈德·舒茨
山神
王旭,王洪千,邵老五
不可觸碰
王安夏 林墨青 白澤
  • 片名:造物的奇蹟
  • 狀態:HD中字
  • 主演:Margarete Schön Theodor Loos Paul Bildt Margarethe Schlegel Oscar Marion Willy Kaiser-Heyl 
  • 導演:Hanns Walter Kornblum 
  • 年份:1925
  • 地區:其它
  • 頻道:內詳
  • 上映:未知
  • 語言:其它
  • 更新:2026-04-08 02:37
  • 簡介:  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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